PANDAMONIUM: MELTING THE HEART OF EVEN THE MOST MISERABLE CYNICS

I REVIEWED THIS SHOW IN TREBUCHET MAGAZINE, SEE ORIGINAL ARTICLE HERE OR READ ON BELOW… “Sometimes an aesthetically appealing tiger cub or a quirky ladybird can overshadow the actual substance of the artwork” Byroglyphics, 'great sage 1' 55x76cm. Graphite and pastel on Paper.
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ArtHAUS features in Guardian

The genre-busting artHAUS exhibition at DegreeArt Gallery is still open until June. Having been featured in the guardian's lifestyle picks, it's well worth a visit - It is very inspiring for me to see the art in the context of interior design. The art spills out onto the walls (in some cases quite literally) and inspires other elements in the room. It's very imagination capturing and eclectic. But also rather  nice to get inspiration for how to place objects & art in our own homes & spaces. I have recently rearranged my studio to reflect a string of inspirations emanating out of one central artwork.

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ArtHAUS Features in the Evening Standard

My recent group show ArtHAUS has been featured in the Evening Standard including images of my work in the 'living room' - "Bursting with statement pieces by up-and-coming creative talent, this eclectic show is bridging the gap between contemporary art and interior design. The downstairs floor of the Hackney gallery has been split into five small spaces, each of which looks like a different room in a real home."

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ArtHAUS - June private view

It's a HAUS full of intrigue - Chopped up money, amazing vintage sofas, a human sized apple, giant paintings of our lovely Queen, organic sculptures growing in the bathroom, and a 'kitchen sculpture' made from a pile of fragile, ephemeral egg shells.

ArtHAUS opened last month, and I'd like to say a big thank you to all those who came along.  If you didn't make it there's another chance to meet the artists at a private view & press viewing next Thursday. It has been fantastic to get such great coverage from the likes of Art Review and Guardian, for both the show as a whole and my own series of Ha’dollar artworks which Londonist noted as “hypnotic dissections and re-arrangements of one dollar bills that make you question what you’re seeing”.  (see more press here).

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